Specifications

SYSTEM REQUIREMENTS

Pro Tools | HDX or Pro Tools | HD Native system running Pro Tools Ultimate 2019.12 or later and DADman 5.4.1 or later.

SPECIFICATIONS

See how Pro Tools | MTRX Studio compares to Pro Tools | MTRX II to determine which interface is right for your needs.

  Pro Tools | MTRX Studio  Pro Tools | MTRX II
Analog and digital I/O
Configurability Fixed I/O configuration with option for Thunderbolt 3 connectivity Fully customizable I/O with eight option card slots; install up to eight total analog, DigiLink, and/or digital I/O cards
Built-in I/O and connectivity
  • 2 mic inputs (XLR)
  • 16 x 16 line I/O (DB25)
  • 64 channels of DigiLink I/O (via two 32-channel DigiLink Mini ports) at all sample rates
  • 64 channels of Dante I/O at all sample rates
  • 16 x 16 ADAT I/O
  • 2 x 1/4-inch monitor outputs
  • 2 x 1/4-inch headphone outputs
  • 64 channels of DigiLink I/O (via two 32-channel DigiLink Mini ports) at all sample rates
  • 64 channels of MADI I/O at 44.1/48 kHz, 32 channels at 88.2/96 kHz, or 12 channels at 176.4/192 kHz
  • 256 channels of Dante I/O at 44.1/48 kHz, 128 channels at 88.2/96 kHz, or 64 channels at 176.4/192 kHz (IP core)
Optional I/O and connectivity (cards and modules sold separately)
  • NEW Thunderbolt 3 Option Module (enables up to 64 channels of native low-latency I/O at all sample rates to Pro Tools and other Core Audio DAWs)
  • 8 Mic/Line Pristine AD input card (DB25)
  • 2 Mic/Line Pristine AD input card (DB25)
  • 8 Line Pristine AD input card (DB25)
  • 8 Pristine DA output card (DB25)
  • 64-channel DigiLink I/O card (two DigiLink Mini ports) at all sample rates
  • NEW Thunderbolt 3 Option Module (enables up to 256 channels of native low-latency I/O at 44.1/48 kHz and 88.2/96 kHz, 128 channels at 176.4/192 kHz, and 63 channels at 384 kHz to Pro Tools and other Core Audio DAWs)
  • 128-channel IP Audio Dante card with built-in SRC
  • 128-channel Dual MADI I/O card
  • 8 AES3 I/O card (16 mono channels)
  • 2 x 16-channel Dual SDI/HD/3G card with built-in SRC
Routing and monitoring

Digital crosspoint matrix (input to output routing)

512 x 512 4,096 x 4,096
Summing matrix with monitor profiles 256 x 16
Monitor Groups
Fold Downs
Group Formats
512 x 64 (supports full theatrical Dolby Atmos mixing)
Monitor Groups
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Group Formats
Room calibration Built-in SPQ Speaker Processing, providing up to 256 filters across 16 channels. Delay management adjustable up to 300ms (200ms per monitor set and 100 per channel) Built-in SPQ Speaker Processing, providing up to 1,024 filters across 64 channels at 48k and 96k, scaling at higher sample rates. Delay management adjustable up to 1000ms (200ms per monitor set and 800 per channel)
Additional specifications
Supported DAWs Pro Tools, Logic Pro, Cubase, and other Core Audio workstations Pro Tools, Logic Pro, Cubase, and other Core Audio workstations
EUCON integration Yes Yes
System sync Internal, Word Clock and Loop Sync via BNC connectors, Dante Sync, ADAT Sync Word Clock/video black burst (VBB) via BNC connectors, Dante Sync, Digital Inputs
Supported sample rates 44.1 kHz–192 kHz 44.1 kHz–384 kHz
Chassis 1U 19" rack-mountable unit 2U 19" rack-mountable unit

Please note—All digital audio format channel counts are listed at 44.1/48 kHz and are subject to standard channel count reductions at higher sample rates unless otherwise noted.