A Remote Avid Post-production Workflow Saves the Day for Original TV Series
Saya: A Unique Setting for Artisans in Post Production
The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.
PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION
How Kansai TV Brought Its Visually Immersive 8K HDR Short Film Three Trees to Life
The 8K HDR short film Three Trees makes a memorable impact on viewers with its abstract, poetic world filled with rich, immersive imagery. To create such a challenging piece, Kansai Television's Kazuma Yano, who directed, edited, and color graded Three Trees, turned to Media Composer to handle the entire production workflow, from end to end.
Blue Sky Dreams: Breaking News at New Zealand Broadcasting School
One of the primary reasons we are almost completely Avid now is because that is exactly what our industry has been telling us we should be doing.
TONY SIMONS, MANAGER, NEW ZEALAND BROADCASTING SCHOOL
Digital Graffiti Relies on Avid to Produce Thousands of Hours of Content
Avid provides the infrastructure where we can have teams working very closely together, or we can have people work on an individual basis with the ability to pass content onto the next creative very seamlessly.
KIM PRATT, VICE PRESIDENT OF TECHNOLOGY
Industrial Media Expands Collaborative Workflows with Avid Shared Storage
The concept of being able to utilize shared storage virtually anywhere we find a talented editor who needs to work from wherever they are located is very exciting. We know we’re going in a great direction and Avid is a huge, huge part of the confidence we have in these decisions.
ERIC TOWLER, VICE PRESIDENT OF POST PRODUCTION, IPC