As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions
The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
Omar Hakim & Frank Filipetti: The High Standard of Audio Recording
For many years, you would have separate boxes. You’d have a clock, you’d have an A to D converter, you’d have mic pre and then you’d go into an A to D converter, go to the conversion, and then D to A. MTRX puts it all in one box. It captures all the latest technologies and it’s pretty terrific.
FRANK FILIPETTI, SEVEN-TIME GRAMMY® AWARD WINNING PRODUCER, ENGINEER, AND MIXER
Avid Avid S6 Makes Ripples at Wave Studios
When I used the S6, I just knew it was going to do the job for us. And it’s been worth the wait—I really like the ease of operation, and the desks are very ergonomically fluid.
JOHNNIE BURN, WAVE STUDIOS OWNER & CO-FOUNDER
Avid Everywhere Helps Mission Impossible: Rogue Nation Achieve the Impossible
I was initially nervous about committing to such a short timeline using new equipment, but the Avid gear performed wonderfully.
JAMES MATHER, SUPERVISING SOUND EDITOR