The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.
TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER
The Avid solution gives me a more intuitive way of mixing, and adds flexibility to jump between different projects fast and easily.
STEFAN BOMAN, PARK STUDIO CEO AND TECHNICAL ADVISOR
Our students graduate with the knowledge to comfortably use the most up-to-date Avid hardware and software that they’d be able to find in studios.
JAIME DONNELLY, TECHNICIAN AND TRAINEE LECTURER FOR THE B.SC. (HONS) MUSIC TECHNOLOGY DEGREE COURSE
Having this seamless workflow helps both us and our clients to be more efficient, without sacrificing creativity.
SIMON RAY, HEAD OF ENGINEERING, GOLDCREST POST
What’s more important is to learn how to mix with the software, not how to use a mixing controller. So it really contradicts the whole point of having a controller if it takes too much time learning how to use it. Everything has to be right there, intuitively accessible. I think that is what Pro Tools | S6 is all about.
SUNG CHEOL LIM, PROFESSOR AT WOOSONG COLLEGE