Working on shared storage for editing, grading and finishing has completely changed our workflow. Before we were very limited by the local storage, but now we’re able to access the storage from workstations all over the school. This flexibility, combined with the speed and reliability of the technology, has transformed the editing process for our students.
PETER POSGAARD, TECHNICAL MANAGER AT THE NATIONAL FILM SCHOOL OF DENMARK
The Maestro | Virtual Set is used in both news and program production for both recording and live broadcasting, allowing us to replicate real-world scenes within the studio.
MR. CHATREE SEANGSUK, CHIEF OF STUDIO 2
We’ve done a lot more high-res work this year. I’ve directed multiple shoots with anamorphic lenses and added higher-end drone footage, all shot at UltraHD or higher. What I love about Avid is whatever is in my mind’s eye, I can create inside Avid.
PAT STAGE, PANTHERVISION MANAGER OF PRODUCTION
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
The Avid NEXIS SSD is a game changer for us. It really opens up possibilities for us because it takes a fraction of the time to render with its network speed and data rate.
TODD ULMAN, FOUNDER, CHAIRMAN, CEO, AND CREATIVE FORCE BEHIND MAD OLD NUT PRODUCTIONS
The main advantage Avid has over the competition is the ease of working in a shared environment with a team of assistants and editors. That is essential in a fast paced environment.
RYAN AXE, ASSISTANT EDITOR, MISSION: IMPOSSIBLE - FALLOUT